Oriental Glass
Title: Basin with ‘Persian’-style enamel paintwork, France, 1888
Artist: J.D. Imberton
Dimensions: 18.5 cm.
Permanent Collection & Image Courtesy: Gemeentemuseum Den Haag
The Gemeentemuseum Den Haag in the Netherlands possesses a rich collection
reflecting the history of glassmaking in the Middle East.
Title: Mosque lamp-holder with enamel paintwork and gilding, Egypt, 1322-1328.
Dimensions: Height 32.1 cm.
Permanent Collection & Image Courtesy: Gemeentemuseum Den Haag
Deciding it's time to focus on Oriental Glass an exhibition has been
organized that features among its highlights several recent acquisitions at the
museum.
The history of glassmaking in the Middle East began around 2500 B.C.,
as the technique was discovered in Phoenicia which is now Lebanon.
Title: Detail on the neck of the enamelled and gilded mosque lamp-holder,
Egypt, 1322-1328.
Arabic inscription (from the Koran’s Chapter of Light) in blue: “Allah is the Light of heaven
Dimensions: Height 32.1 cm.
Permanent Collection & Image Courtesy: Gemeentemuseum Den Haag
With the spread of the Islamic faith the importance of Damascus emerged as
the centre of the first caliphate. Glass began to be used in the decoration of
buildings as well as in day-to-day wares.
Title: Four blown glass bottles, Syria and Iran, 12th and 18th/19th century.
Dimensions: Height, from left to right: 23, 36.4, 6.7 and 22.4 cm.
Permanent Collection & Image Courtesy: Gemeentemuseum Den Haag
Many of the techniques used in glass decoration were learned from the glassblowers of ancient Rome,
including engraving, cutting and adding patterns in relief. By 1200 the Middle Eastern
glassmakers explored the used of enamel in their creations painted onto the glass.
Title: Three square bottles with gold and enamel paintwork, India, 17th/18th century.
Dimensions: Height, from left to right: 16.2, 10.8 and 10.4 cm.
Permanent Collection & Image Courtesy: Gemeentemuseum Den Haag
Around 1500 the Middle East imported much of its glass from Europe,
looking to the Venetian masters of glass arts. Mosque lamp-holders were produced in the
Italian city using a technique that the Venetians had actually learned from
the Islamic glassblowers and employed in their studios.
Much of the museum's collection was bequeathed from Pim Mulier, a leading Dutch collector of his day.
Mulier worked with the Gemeentemuseum’s first director, H.E. van Gelder, in amassing his
splendid private collection of glass that included pieces from the
Islamic world.
Oriental Glass
Gemeentemuseum Den Haag:
December 9, 2006 - March 18, 2007
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